Halloween Ends disappoints on many levels with its boring pace and questionable approach as the equivalent of that house on October 31 that gives out healthy snacks instead of full-size candy bars.

Elvis collapses under the weight of its director’s ambitions and style instead of letting its standout lead re-create more key moments in the icon’s life.

The Black Phone perfectly mixes ghosts, survival, revenge and a memorable maniac for a horror flick that builds to a thrilling climax.

Lightyear mixes emotions from Up and physics from Interstellar for a disappointing animated retcon of the beloved titular character.

Jurassic World Dominion starts off at the pace of a lumbering Stegosaurus before finally picking up speed to Velociraptor levels later on.

Crimes of the Future didn’t captivate me with its story despite the fascinating, gruesome effects and made me wish for a better experience in the present.

Top Gun: Maverick caught me off guard and completed its mission by winning me over.

Men tries too hard to mix a message and symbolism with a creative concept and ends up neutering itself.

Firestarter feels modern and gritty in its approach and still provides the same thrills that you would expect from one of Stephen King’s creations.

Doctor Strange in the Multiverse of Madness delivers two hours of fun with plenty for both Marvel and Sam Raimi fans to celebrate.

Memory stands out from the other Liam Neeson action movies because it finally addresses how age affects even the deadliest among us.

The Unbearable Weight of Massive Talent suffocates amid the challenge of its central stunt casting and doesn’t approach the level of crazy that you expect until too late.