Like a puzzle where the pieces have the same shape and familiarity but the image that they produce is different.
A shockingly empty expanse of unresolved questions and unrealized potential.
This big-budget mess amounts more to a minor tremor than a full-scale disasterpiece.
This drama perfectly paints a picture that few have any interest in displaying.
The plot and believability melt away to nothing over the course of the film.
The magic evaporates faster than the honey in Pooh’s pot.
This movie expertly straddles the line between horror and comedy.
The action still packs a punch, but its impact isn’t what it used to be.
Professor Marston and the Wonder Women is one of the most engaging stories of recent memory and one of the year’s best films.
Mark Felt’s high-stakes machinations keep the audience engaged, but only from a distance.
The real elevation exists between the audience and the story’s believability.