Us Review
Us evokes the best works of Stanley Kubrick, Alfred Hitchcock and David Lynch.
I love movies, tech, politics, games and more. I've been writing professionally since 1985 and, thankfully, have worked with some of the best editors in the business. I'm also a proud member of the Philadelphia Film Critics Circle and the Broadcast Film Critics Association (Critics Choice Awards).
I’ve been engaged by 30-second commercials for schmaltzy Hallmark Channel love stories more deeply.
Captain Marvel borrows heavily, but not heavily enough, from Guardians of the Galaxy.
Triple Frontier is reminiscent of 1999’s Three Kings, but without the humor or the thought-out plot.
This curious, unexpected story had me in its grasp… before dropping me like a bad habit.
Hart and Cranston are flawlessly cast, and I’d love to see more of their chemistry.
This is, without question, the most artistic homage to dog shit ever filmed.
It’s exactly the film that May and Taylor wanted, and it’s a complete bore.
An endless parade of clichés and logic issues that ruin an otherwise potentially interesting plot.
First Man attempts to bring color to a man who embodied the dull grays of the very surface to which he will forever be anchored.
Attempts to walk a very fine line between campy and creepy, between reality and dystopia.
Two-and-a-half hours of nonsensical jibber-jabber interspersed with adrenaline-inducing special effects.