Dune: Part Two Review
Dune: Part Two seems intent on convincing us that explosions are the same thing as plot.
Dune: Part Two seems intent on convincing us that explosions are the same thing as plot.
A masterwork that stands head and shoulders above Nolan’s already-impressive past catalogue.
Asteroid City is as flat and unremarkable as its surrounding landscape.
Like a detailed treatise on the Holocaust, summarizing it as a great example in character building.
Time and again, Aftersun teases a large reveal only to end up in the most boring of all possible endings.
Triangle of Sadness pulls you into its world with the ease of a master hypnotist.
Amsterdam is a plethora of pomp, but little requisite circumstance.
Blonde’s platinum sheen is nothing more than a dime-store dye job.
Elvis collapses under the weight of its director’s ambitions and style instead of letting its standout lead re-create more key moments in the icon’s life.
Luhrmann’s technique had my toes tapping, but left my intrigue lacking.
Crimes of the Future didn’t captivate me with its story despite the fascinating, gruesome effects and made me wish for a better experience in the present.
Top Gun: Maverick caught me off guard and completed its mission by winning me over.