More than anything else, The Rhythm Section is a score in search of a picture.

An opportunistic concierge is framed for murder and sets out to clear his name in The Grand Budapest Hotel. Wes Anderson‘s latest quirky comedy is a powerful addition to his anthology of the absurd. If you’ve never encountered any of Anderson’s unique films, be forewarned that they’re somewhat of an acquired taste. His latest tale […]

I feel cheated. The previews for Anna Karenina did absolutely nothing to prepare me for the unique approach of this telling of the famous Leo Tolstoy story—and I suspect this was very much on purpose. Many people are probably familiar with the tale as there have been decades of books movies, plays and more. However, […]

I’ve had a bit of a love-hate relationship with director Martin Scorsese‘s films over the years. I tend to find lots of things I simply don’t like about many of the films he’s known for. Sometimes you just don’t connect with someone else’s vision. As a result I really have to be wowed by a Scorsese […]